![]() ![]() If you play with higher velocity, the instrument will play a subtle crescendo, if you play softer the instrument tends more towards a slight decrescendo. We took care about lively, dynamic long notes in different styles. Instead of recording fixed p, mf, f layers, we told the musicians to feel free to choose the best dynamic for a solo part. Our newly developed adaptive legato script chooses the most convincing legato transitions, based on your playing in real time (speed and velocity).Ī single velocity layer for the highest expressiveness ![]() It really breathes life into your solo passages and extends the BWW main library in a wonderful way. To keep it short: We try to use the best of both worlds.įor a more solistic writing we developed this Expansion B. And that is exactly what we are looking for when writing a solo part. This is why legato transitions often appear more expressive and intimate if you play a solo line. It feels like you are much closer to the instrument. Smaller rooms support the details of the sound but they lack when writing for ensembles and in blending ability. Doubling with other instruments just works amazingly well. The Berlin Woodwinds main library especially has its strengths when it comes to ensemble writing or when a full orchestra plays with the woodwinds. Samples recorded at the big Teldex Stage blend very well with other orchestral instruments. We are sure that both locations have their benefits. ![]()
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